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An old man in a nursing home reads a story to an old woman each day. The story he reads follows two young lovers named Allie Hamilton and Noah Calhoun. They met one evening at a carnival many years ago. Allie’s parents separate Noah and Allie. They disapprove of Noah’s lack of wealth, and move Allie away. After waiting for Noah to write her for several years, Allie meets and becomes engaged to a handsome young soldier named Lon. In a local newspaper, Noah’s picture catches Allie’s eye. He is standing in front of a fully restored, 200 year old home. The article is filled with praise for his accomplishments. Allie’s heart nearly bursts. The last time she saw this house it was a rotted decaying shamble. She stood enfolded in Noah’s arms in the great entryway and listened to his plans to buy and restore this house. Just the way she wanted it. With her love for Noah still alive, the picture pulls at her heart. She has to go back, see if Noah is okay, and tell him about her marriage. They both think the echo deep in their hearts, the one that has lasted all these years, is not shared by the other. The cry they could not stifle. It wasn’t over for me.

At the beginning of the 19th century, Napoleon’s forces controlled much of Europe. In Russia, one of the few countries still unconquered, the army prepares to face Napoleon’s troops in Austria. Among the soldiers are Nicholas Rostov (Jeremy Brett) and Prince Andrei Bolkonsky (Mel Ferrer). Pierre Bezukhov (Henry Fonda), a friend of Andrei’s and self-styled intellectual who “knows what’s right but still does wrong,” is not interested in fighting. Pierre’s life changes when his father dies, leaving him a vast inheritance. He is attracted to Natasha Rostov (Audrey Hepburn), Nicholas’s sister, but gives in to baser desires and marries the shallow, materialistic Princess Helene (Anita Ekberg). The marriage quickly ends when Pierre discovers his wife’s true nature. Andrei is captured and later released by the French, and returns home only to watch his wife die in childbirth. During a visit to the country months later, Pierre and Andrei meet again. Andrei sees Natasha and falls in love, but his father will only permit the marriage if they postpone it for one year. While Andrei is away in Poland on a military mission, Natasha is drawn to Anatole Kuragin (Vittorio Gassmann), a scoundrel and libertine. Pierre tells Natasha of Anatole’s past before she can elope with him. Napoleon (Herbert Lom) invades Russia. Pierre visits Andrei on the eve of the battle, and observes the battle that follows. Traumatized by the carnage, he vows to kill Napoleon himself.