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Two men wake up at opposite sides of a dirty, disused bathroom, chained by their ankles to pipes. Between them lies a dead man loosely clutching a hand-held tape player and a handgun. Each finds a tape the perfect fit for the player in their back pocket. They play the tapes. One is threatened, the other isn’t. But they have a task: One must kill the other by 6:00, or his wife and daughter will die. They find hacksaws in a toilet, and try to cut the chains, but it doesn’t work. They are the two newest victims of the Jigsaw Killer. In a flashback, we learn of Amanda, a girl who falls victim to the Jigsaw Killer. On her head is a mask, which is hooked into her lower jaw. There is a timer on it. Only one key will unlock it, and that key is in the digestive tract of her cell mate who lies paralyzed on the opposite side of the room. If she doesn’t unlock the mask in time, her lower jaw will be ripped wide open. She survives, but her cell mate doesn’t. Through a series of flashbacks, we learn of more victims, and of the nearly-successful capture of the Jigsaw Killer, who doesn’t actually kill his victims. Instead, he finds ways to make them kill either themselves, or each other, and he thinks the entire ‘game’ out perfectly, with no other ways out. Or so it would seem.

Rocky Balboa (Stallone) has finally beaten Apollo Creed (Weathers), and feels that he has nothing left to achieve. He plans to retire. Boxing brawler Clubber Lang (Mr. T) becomes the Number 1 Contender, and wants his match with Balboa. Rocky is reluctant at first, but finally agrees to take on Clubber Lang. But things go from bad to worse, where Rocky’s manager Micky (Meredith) unfortunately dies. Rocky must now train with his former opponent, Creed. Rocky now not just fighting for the title, but also for the confidence of everyone and especially of all, for Micky.

A border agent involved in drug smuggling decides to clean up his act when an impoverished woman’s baby is put up for sale on the black market.

Miranda Priestley, of “Runway” magazine tears up the landscape as a demanding fashion editor. She is a terror to everyone who is around her as is quickly depicted in the opening scenes of the movie. Her first assistant strives to please her and tries to emulate her, but one can sense that she is not quite as hard as she tries to put on. Into this mix comes a young woman who knows nothing of the fashion industry, has never read the magazine, and doesn’t know who Miranda Priestley is. She only sees this as a stepping stone to another journalism position. Showing no fashion sense and immediately scorned by everyone, Miranda nonetheless hires her as the second assistant. When Miranda demands that she obtain the next unpublished Harry Potter manuscript, you can sense that she is trying to force her to quit, but it makes the young woman dig in to please her boss. With the help of one of the magazine’s fashion editors, she gets a complete makeover and a new security. However, with her new appearance and the demands placed on her, she starts to lose her friends, family and her live-in boy friend. As she is whisked away to Paris with Miranda and faces all of the glamor that could be hers, including a flashy if not artificial freelance journalist, she is forced to make the decision of where she wants to be in her life.

All that Neal Page wants to do is to get home for Thanksgiving. His flight has been cancelled due to bad weather, so he decides on other means of transport. As well as bad luck, Neal is blessed with the presence of Del Griffith, Shower Curtain Ring Salesman and all-around blabbermouth, who is never short of advice, conversation, bad jokes, or company. And when he decides that he is going the same direction as Neal….

Michael Bosworth is a psychotic criminal who is about to go on trial however, he seduces his lawyer into helping him escape. But as they try to make their getaway, she’s left behind. He decides to wait for her to come to him, so he decides to hide at the house of the Cornells. Now it appears that the Cornells have problems of their own. The husband and wife are separated. And there’s an FBI agent after them who is using the lawyer to lead them to Bosworth.

Massoud Amir Behrani, an Iranian immigrant, has spent most of his savings trying to enhance his daughter’s chances of a good marriage. Once she is married, he spends the remaining funds on a house at an auction, unwittingly putting himself and his family in the middle of a legal tussle with the house’s former owner. What begins as a legal struggle turns into a personal confrontation, with tragic results.

Professional daredevil and white-suited hero, The Great Leslie, convinces turn-of-the-century auto makers that a race from New York to Paris (westward across America, the Bering Straight and Russia) will help to promote automobile sales. Leslie’s arch-rival, the mustached and black-attired Professor Fate vows to beat Leslie to the finish line in a car of Fate’s own invention. The Blake Edwards style of slapstick and song originated with this movie. A dedication to Laurel and Hardy appears at the beginning of the film. Edwards’ tribute to Stan and Ollie can be seen most clearly in the interaction between Professor Fate and his cohort Max, as well as in the operatic Pottsdorf pie fight.

Based off of a one time 1960’s Mini-Series. (This is not correct. It was a full-blown TV series that ran for four years.) A well respected Chicago surgeon Dr. Richard Kimble has found out that his wife, Helen, has been murdered ferociously in her own home. The police found Kimble and accused him of the murder. Then, Kimble (without Justifiable Reason) was tried, convicted, and sentenced to death. However, on the way to prison, Kimble’s transport crashed. Kimble escapes and is now on the run. Deputy Samuel Gerard from Chicago takes charge of the chase of Kimble. Meanwhile, Kimble makes up his own investigation to find who really killed his life, and to lure Gerard and his team into it as well.