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Mr. Bean enters a church raffle and wins a vacation trip to France as well as a camcorder. After boarding a Eurostar train and arriving in Paris, the French language proves a barrier for Bean, as he struggles to get across the city to catch a train to the south of France from the Gare de Lyon. Taking time to order a meal, he finds the consumption of a seafood platter to be a challenge. Just before catching his train, he asks Emil, a Russian film director on his way to be a judge at the Cannes Film festival to use his camcorder to record his boarding, but accidentally causes Emil being left behind at the station. Bean attempts to cheer up the director’s son Stepan as the train continues south but matters are made more hectic by the fact that Emil has reported his son to have been kidnapped and Bean losing his wallet and essential travel documents at a pay phone where he and Stepan attempt to contact Emil. Heading in the direction of Cannes, Bean finds himself in the cast and disrupting the flow of a commercial being shot by the egotistical director Carson Clay. He and Stepan finally hitch a ride with the young and vivacious actress Sabine who is heading to Cannes to attend the premiere of Clay’s film, in which she appears. After Bean sneaks into the showing, his camcorder images are destined to enliven the proceedings.

This film charts the rise and fall of Yuri Orlov, from his early days in the early 1980s in Little Odessa, selling guns to mobsters in his local neighbourhood, through to his ascension through the decade of excess and indulgence into the early 90s, where he forms a business partnership with an African warlord and his psychotic son. The film also charts his relationship through the years with his younger brother, his marriage to a famous model, his relentless pursuit by a determined federal agent and his inner demons that sway between his drive for success and the immorality of what he does.

L.A. in the early 1930’s: racism, poverty, and disease color the Bunker Hill neighborhood where Arturo Bandini, a lover of men and beasts alike, has arrived from Colorado to write the great Los Angeles novel. After six months and down to his last nickel, he orders a cup of coffee, served by Camilla Lopez, beautiful, self-possessed, and Mexican. Arturo gets advice, encouragement, and an occasional check from H.L. Mencken, so he keeps writing and he keeps seeing Camilla. But, he’s mean to her for no apparent reason, so the relationship sputters. A housekeeper from back East suggests a way out of his jealously and fears. “Camilla Bandini”: is it in the cards?

Jack & Jennifer take a private cruise with friends, such as Captain Richards and his wife Maggie. Manuel is a staff member who catches Jen’s eye. Thanks to chain of events sparked off between a dispute concerning Jack and Manuel, a fire breaks out and the ship blows up and sinks. Jen and Mannuel seem to be the only survivors to wash up on an island…but before long Jack shows lying in a rock pool…and here’s where the tale turns nasty

Two hundred years after Mary Shelley’s novel the brilliant but mad Doctor (Thomas Kretschmann) has sustained his creature and himself over two centuries through genetic experimentation. In present-day America Detective O’Connor (Parker Posey) is investigating a series of horrific murders which leads her to the doctor and his creature. What she uncovers reveals the strange evolution the doctor and his creation undergo over the course of two centuries and the divergent paths creator and monster take in pursuing good or evil.

Steve Zissou, sea-film auteur a la Jacques Cousteau, has reason to be melancholy: his partner has been eaten, perhaps by a mythic jaguar shark, his wife may be taking up with her ex-husband, a young man appears claiming Steve is his father (Steve hates fathers), his most recent films have tanked, he’s having trouble raising money for his venture to revenge his partner, and he’s attracted to a pregnant reporter who prefers the pretender. At sea, in pursuit of the shark, will he escape pirates and mutiny, forge the bonds of fatherhood, place his arm around his wife, find the monster of the deep, re-establish box office hegemony, and discover a reason to smile?

At New York’s Central Park Zoo, a lion (Stiller), a zebra (Rock), a giraffe (Schwimmer), and a hippo (Smith) are best friends and stars of the show. But when one of the animals goes missing from their cage, the other three break free to look for him, only to find themselves reunited … on a ship en route to Africa. When their vessel is hijacked, however, the friends, who have all been raised in captivity, learn first-hand what life can be like in the wild.

Turkish and his close friend/accomplice Tommy get pulled into the world of match fixing by the notorious Brick Top. Things get complicated when the boxer they had lined up gets the shit kicked out of him by Pitt, a ‘pikey’ ( slang for an Irish Gypsy)- who comes into the equation after Turkish, an unlicensed boxing promoter wants to buy a caravan off the Irish Gypsies. They then try to convince Pitt not only to fight for them, but to lose for them too. Whilst all this is going on, a huge diamond heist takes place, and a fistful of motley characters enter the story, including ‘Cousin Avi’, ‘Boris The Blade’, ‘Franky Four Fingers’ and ‘Bullet Tooth Tony’. Things go from bad to worse as it all becomes about the money, the guns, and the damned dog!

A con man flees to Southeast Asia when an international scam he was involved in goes sour. Suspecting he’s been double-crossed by his long-time mentor, he sets off to Cambodia for his promised cut. What he finds there is a mysterious and hostile environment where even the most polished criminal can end up on deadly ground.

Surfer/drifter/con man Jack Ryan (Wilson) makes his way to Hawaii and lands a job caring for an Walter Crewes (Freeman), a judge on the island. His new gig leads to an involvement with an beautiful, enterprising woman (Foster), who’s really the lover of a real estate tycoon (Sinise) - a shady businessman and longtime rival of Judge Crewes. Ryan, naturally, has to choose between the woman, the money, or the honorable path.