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Two cops in Los Angeles try to track down the vicious criminal Eric Masters. Then, one of them is killed by Masters and the other one swears revenge no matter what the cost. After that, the hunt becomes an ob- session and the law he once swore to uphold becomes meaningless to him.

San Francisco Police Inspector ‘Dirty’ Harry Callahan and his new partner, Early Smith have been temporarily reassigned from Homicide to Stakeout Duty. Meanwhile, those of the city’s criminals who manage to avoid punishment by the courts are nevertheless being killed by unknown assassins. Callahan begins to investigate the murders despite the orders of his superior officer, Lieutenant Briggs. A man has to know his limitations…

An undercover narc dies, the investigation stalls, so the Detroit P.D. brings back Nick Tellis, fired 18-months ago when a stray bullet hits a pregnant woman. Tellis teams with Henry Oak, a friend of the dead narc and an aggressive cop constantly under the scrutiny of internal affairs. They follow leads, informants turn up dead, Nick’s wife is unhappy he’s back on the street, Henry’s protective of the dead cop’s wife. Nick reads and re-reads the case file, broods, watches Oak’s heavy-handed style, sometimes joining in. The brass want to close out the case, Nick and Henry stay on it, and bits of evidence point them to an auto body shop. What actually happened; will Nick ever know?

An FBI agent (Reynolds) hunts for a Las Vegas stand up comedian (Piven) who has decided to squeal on the mob but, before he heads off for protective custody, decides to go to the casinos at Lake Tahoe for one last good time, drawing a crowd of assassins (including Affleck and Keys).

William Friedkin’s gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between ‘Popeye’ Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed.

Chris and Bill are called upon for their excellent surveillance record to stakeout a lakeside home where a Mafia trial witness is believed to be heading or already hiding. Unlike their earlier _Stakeout_, this time they are accompanied by Gina Garret from the DA’s office and her pet rottweiler ‘Archie’; their cover, husband and wife with son Bill.

Earl and Hank have only one thing in common: they’re both L.A.P.D. rejects. One just got kicked out, the other can’t even get in. After confronting each other on opposite sides of the law during a traffic stop that escalates out of control, these two luckless individuals end up partnered as lowly security guards. Despite being damned to the lowest rung of the law enforcement ladder, Earl and Hank uncover a sophisticated smuggling operation led by Nash and his band of thugs. When Earl and Hank get their hands on some hot property, they go on the run from, first the bad guys, then the L.A.P.D.—led by Lt. Washington and Detective McDuff. What these two unlikely partners do to law enforcement is a crime, but they just might save the day. That is, if they don’t kill each other first.