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A young man has dropped out of Queens College but desperately wants to please his father, a federal judge who’s harsh with his son. At his father’s insistence, Seth Davis closes a casino he operates in his own house, mostly for college students. Thinking he’ll please dad, he takes a job in a small brokerage house, an hour from Manhattan, where trainees make cold calls to lists of well-paid men, and then apply high-pressure tactics to sell initial public offerings exclusive to the firm. He’s terrific at sales. Once training is over, the pay is phenomenal, and Seth wonders why. Curiosity leads him to ethical dilemmas, encounters with the Feds, and new territory with his father.

New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he’s visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there’s no accounting for taste…

On 1st November 1959, in New York, C.C. “Bud” Baxter is a popular clerk of “Consolidate Life”, an insurance company with 31,259 employees. The secret of his success is a well located apartment where he lives that he sublets for his superiors, making him climb to the executive position of 2nd Administrative Assistant very early. He likes the elevator girl Fran Kubelik, a reserved woman considered a “jackpot” among the executives. Fran is the secret lover of the director Jeff D. Sheldrake, a married man that seduced her convincing that he will divorce his wife to stay with her. When Fran tries to commit suicide in Baxter’s apartment after a meeting with Jeff, she stays with Baxter while recovering, and he falls in love for her. Later he has to come up to a decision between his excellent position in the company and his love.

Lee Holloway is a smart, quirky woman in her twenties who returns to her hometown in Florida after a brief stay in a mental hospital. In search of relief from herself and her oppressive childhood environment, she starts to date a nerdy friend from high school and takes a job as a secretary in a local law firm, soon developing an obsessive crush on her older boss, Mr. Grey. Through their increasingly bizarre relationship, Lee follows her deepest longings to the heights of masochism and finally to a place of self-affirmation.

A department store executive (Flanery) tries to resist falling in love with a young woman (Gellar), who he believes has possessed magical powers after inheriting a restaurant.

Rachel comes to stay with her Grandmother Georgia for the summer leaving some obvious problems behind at home. Her alcoholic mother doesn’t even stay the night before rushing back out to California to be with her husband. Rachel shakes up the town, a beautiful girl in the boring Mormon country. Then she reveals her deepest secret to one of her new friends, and her mother comes rushing back to find out if its true. In the midst of this crisis the three woman become closer than ever and start to understand each other more.

Paul “Wrecking” Crewe was a revered football superstar back in his day, but that time has since faded. But when a messy drunk driving incident lands him in jail, Paul finds he was specifically requested by Warden Hazen (James Cromwell), a duplicitous prison official well aware of Paul’s athletic skills. Paul has been assigned the task of assembling a team of convicts, to square off in a big football game against the sadistic guards. With the help of fellow convict Caretaker, and an old legend named Nate Scarborough to coach, Crewe is ready for what promises to be a very interesting game. It’s only the warden and the guards who have no idea who or what they’re up against, with Paul the driving force behind the new team.

Linus and Davis Larrabee are the two sons of a very wealthy family. Linus is all work — busily running the family corporate empire, he has no time for a wife and family. David is all play — technically he is employed by the family business, but never shows up for work, spends all his time entertaining, and has been married and divorced three times. Meanwhile, Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who has been infatuated with David all her life, but David hardly notices her — “doesn’t even know I exist” — until she goes away to Paris for two years, and returns an elegant, sophisticated, beautiful woman. Suddenly, she finds that she has captured David’s attention, but just as she does so, she finds herself falling in love with Linus, and she finds that Linus is also falling in love with her.

Patrick Bateman is handsome, well educated and intelligent. He is twenty-seven and living his own American dream. He works by day on Wall Street, earning a fortune to complement the one he was born with. At night he descends into madness, as he experiments with fear and violence.

The workaholic head of the compliance section of a New York bank flies to Monaco to investigate unusual deposits from an offshore bank and meets a down-on-his-luck international film star who has become embroiled in criminal activities.