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Anthology of nine short anime (Japanese animation) films tied in to the 1999 blockbuster “The Matrix” and its sequels. “Final Flight of the Osiris”: The crew of the hovercraft Osiris attempt to warn their city of an imminent attack. “The Second Renaissance, Parts 1 & 2″: The story behind the war between man and the machines, how mankind scorched the sky, and the creation of the Matrix. “Kid’s Story”: A teenager is contacted by Neo, and manages to escape the Matrix. “Program”: Two warriors battle in a samurai training simulation when one decides to betray his crewmates and re-enter the Matrix. “World Record”: A champion sprinter manages to break free of the Matrix by sheer physical effort during a record attempt. “Beyond”: A young girl searching for her cat discovers a haunted house caused by a glitch in the system. “A Detective Story”: Private investigator Ash tracks a hacker named Trinity through the looking glass. “Matriculated”: A group of humans capture a machine scout and insert it into a ‘human matrix’.

A woman named Grace (Kidman) is living with her two children Anne and Nicholas (Mann and Bentley) on an almost empty island in their huge mansion. Grace’s husband is a soldier in WWII and Grace has given her husband up for dead. Everything seems peaceful for her, but when three mysterious servants are given jobs at the house, terrifying secrets are unlocked that even Grace cannot handle.

Hide and Seek revolves around a widower (Robert DeNiro) and his daughter (Dakota Fanning). They move to upstate and Emily (Fanning) soon creates an imaginary friend named Charlie…but this act takes an unexpected and terrifying turn, where her father and doctor (Famke Janssen) start to worry about Emily’s gruesome habits.

Sexual jolts disrupt Manhattan physician Bill Harford’s equilibrium. At an elegant Christmas party, two “models” hit on him, he watches a Lothario try to pick up his tipsy wife, he aids a woman sprawled naked in a bathroom after an overdose. The next night, his wife reveals sexual fantasies with a stranger; a dead patient’s daughter throws herself at him; as he walks, brooding, six teen boys hurl homophobic insults at him; a streetwalker takes him to her flat; he interrupts men having a sex party with a girl barely in her teens. His odyssey, which next takes him into a world of wealthy sex play at a masked ball of hedonism, threatens his life, his self-respect, and his marriage.

After a waterfront explosion, Verbal (Kevin Spacey), an eye-witness and participant tells the story of events leading up to the conflagration. The story begins when five men are rounded up for a line-up, and grilled about a truck hijacking (the usual suspects). Least pleased is Keaton (Gabriel Byrne) a crooked cop - exposed, indicted, but now desperately trying to go straight. The cops won’t leave him alone, however, and as they wait for their lawyers to post bail, he is talked into doing one more job with the other four. All goes tolerably well until the influence of the legendary, seemingly omnipotent “Keyser Soze” is felt. Although set in the modern day, it has much of the texture of the forties, plus suspense, intrigue (a fairly high body count), and lots of twists in the plot.

Strangers from all different walks of life: a limo driver escorting a movie star, parents with a young son, a cop transporting a convict, a prostitute, a young couple, and a motel manager are caught up in a nasty rainstorm, stuck at a motel in desolate Nevada. Soon they realize they may be at the motel for another reason when one by one, people start getting killed off. As tensions flare and fingers are pointed, they have to get to the bottom of why they’re there. Meanwhile in an undisclosed location, a psychiatrist is trying to prove the innocence of a man accused of murder in an eleventh hour trial. How these two through-lines are related can only be found in Identity.

You’re young. You have an easy, well-paid deskjob. You have a condo, Swedish furniture, artistic coffee tables and a fridge full of condiments. Yet you feel emotionally and spiritually empty. You eventually find comfort in going to support groups for lukemia and cancer victims when there’s nothing wrong with you until they’re hijacked from you by another faker. Then you meet Tyler Durden, a man that shows you that not only can you live without material needs but that self-destruction, the collapse of society and making dynamite from soap might not be such a bad idea either.

David Aames takes all he has for granted; his wealth, his inherited publishing company, his good looks - his relationships. Especially his relationships. It catches up to him when a friend/sometimes sex-partner can’t see their relationship the way he sees it. From that point, the movie takes a Lynchian twist that ultimately and literally pulls us into Aames’ tortured psyche.

In the near future, a computer hacker named Neo (Keanu Reeves) discovers that all life on Earth may be nothing more than an elaborate facade created by a malevolent cyber-intelligence, for the purpose of placating us while our life essence is “farmed” to fuel the Matrix’s campaign of domination in the “real” world. He joins like-minded Rebel warriors Morpheus (Laurence Fishburne) and Trinity (Carrie Ann Moss) in their struggle to overthrow the Matrix.

Malcom Crowe is a child psychologist who receives an award on the same night that he is visited by a very unhappy ex-patient. After this encounter, Crowe takes on the task of curing a young boy with the same ills as the ex-patient. This boy “sees dead people”. Crowe spends a lot of time with the boy (Cole) much to the dismay of his wife. Cole’s mom is at her wit’s end with what to do about her son’s increasing problems. Crowe is the boy’s only hope.