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The nature of temptation. Banks is a hit man, the best, usually working for Latin American drug cartels. He picks up solitary women, uses them briefly for a job, then kills them. He’s in the Southwest, headed toward Mexico, when he picks up Bennie, a woman leaving an abusive marriage, going to Paradise, Arizona. The film follows three tracks: Banks’s slow recruitment of Bennie, the set-up for the hit at a swank resort in Mexico, and the FBI’s close pursuit of Banks, whom they want alive in hopes he’ll rat out his bosses. Bennie may not be who she seems, and there may be a chink in Banks’s tough-guy armor. Guns, money, and a chance at Paradise…

Ricardo Tubbs (Jamie Foxx) is urbane and dead smart. He lives with Bronx-born Intel analyst Trudy (Naomie Harris), as they work undercover transporting drug loads into South Florida to identify a group responsible for three murders. Sonny Crockett (Colin Farrell) [to the untrained eye, his presentation may seem unorthodox, but procedurally, he is sound] is charismatic and flirtatious until - while undercover working with the supplier of the South Florida group - he gets romantically entangled with Isabella (Gong Li), the Chinese-Cuban wife of an arms and drugs trafficker. The best undercover identity is oneself with the volume turned up and restraint unplugged. The intensity of the case pushes Crockett and Tubbs out onto the edge where identity and fabrication become blurred, where cop and player become one - especially for Crockett in his romance with Isabella and for Tubbs in the provocation of an assault on those he loves.

After landing in the wrong place at the wrong time, Slevin (Josh Hartnett) must kill The Rabbi’s (Ben Kingsley) to scratch a $96,000 debt to The Boss (Morgan Freeman) and pay off $33,000 to The Rabbi. He can’t go to the police and he can’t leave the city. On top of all this, behind the scene’s Mr. Smith aka Mr. Goodkat (Bruce Willis) is secretly plotting to kill Slevin.

John Murdoch awakens alone in a strange hotel to find that he has lost his memory and is wanted for a series of brutal and bizarre murders. While trying to piece together his past, he stumbles upon a fiendish underworld controlled by a group of beings known as The Strangers who possess the ability to put people to sleep and alter the city and its inhabitants. Now Murdoch must find a way to stop them before they take control of his mind and destroy him.

Carlito Brigante is released from jail after serving five years of a much longer stretch. He vows to go straight and to live life as a fine, upstanding citizen. He even rekindles a romance with his ex-lover. However, Carlito’s associates cannot seem to leave him in peace…his nephew involves him a pool-room gunfight, his lawyer asks him for “favours” which spiral out of control, and even an old friend (now a wheelchair bound paraplegic) tries to get him into trouble with the law. Carlito decides to make a run for Florida and the promise of a new life, but has one final dramatic escape to make from some hoods who believe (wrongly) that he was behind the murder of their boss.

Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a few days. As the film progresses, the police get closer to him, and the crimes escalate.

A fateful event leads to a job in the film business for top mixed-martial arts instructor Mike Terry. Though he refuses to participate in prize bouts, circumstances conspire to force him to consider entering such a competition.

Private detective Sam Ruben’s clever plan falls apart with the onset of amnesia. Everyone is trying to kill him and he doesn’t know why. The classic film noir milieu now comes to you in the form of an animated feature.

Two cops in Los Angeles try to track down the vicious criminal Eric Masters. Then, one of them is killed by Masters and the other one swears revenge no matter what the cost. After that, the hunt becomes an ob- session and the law he once swore to uphold becomes meaningless to him.

The futuristic tale unfolds in a Great Britain that’s a fascist state. A freedom fighter known as V (Weaving) uses terrorist tactics to fight the oppressive society. He rescues a young woman (Portman) from the secret police, and she becomes his unlikely ally.