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A boy declares his love for his girlfriend, only to die the same night. He is brought back to life by his mother as a flesh-craving zombie, who sires more teen undead while trying to control his, er, appetite for his beloved.

After a misunderstanding aboard an airplane that escalates out of control, the mild-mannered Dave Buznik is ordered by Judge Daniels to attend anger management sessions run by Doctor Buddy Rydell, which are filled with highly eccentric and volatile men and women. Buddy’s unorthodox approach to therapy is confrontational and abrasive and Dave is bewildered by it. Then, after yet another mishap, Judge Daniels orders Dave to step up his therapy or wind up in jail. So, Buddy moves in with Dave to help him battle his inner demons. Buddy himself has no inner demons since he acts out at every opportunity and that includes making lewd comments about Dave’s girlfriend Linda and goading Dave into confronting every slight, past or present, head-on. But Buddy finally goes too far and Dave must decide whether to crawl back into his shell or stand up for himself. Could it be that Buddy’s confounding and contradictory treatment is just what the doctor ordered?

While heading for college, Bill and Stan are arrested in Alabama when circumstances point to them as having murdered a convenience store clerk. Unable to afford an attorney, they turn to Bill’s cousin Vinny, a brash New Yorker who took six tries to pass his bar exam. Worse, until now he’s only taken personal injury cases, none of which have gone to trial. Dragging along his even more abrasive fiancee Mona Lisa Vito, Vinny will have to straighten up fast, and keep out of jail himself, if he’s going to win the case.

The criminals Rock Keats (Damon Wayans) and Archie Moses (Adam Sandler) are best friends and have been stealing cars together for one year. Archie invites Rock to join the gang of the drug lord Frank Colton (James Caan) without knowing that Rock is indeed the undercover detective Jack Carter, assigned to get evidences against Frank. During the police raid against a heroin shipping of Frank, Archie accidentally shoots Jack in his head. Once recovered, Jack declares Archie his enemy, and arrests him. But the former mates have to join forces against Frank’s gangsters and many dirty cops.

“Stardust,” based on the best-selling novel by Neil Gaiman illustrated by Charles Vess, takes audiences on an adventure that begins in a village in England and ends up in a magical world. A young man named Tristan (Charlie Cox) tries to win the heart of village beauty Victoria (Sienna Miller) by promising to bring her a falling star. His journey takes him beyond the walls of his village to a mysterious and forbidden land.

When Tristan finds the star, he is stunned to discover that it is, not a lump of meteoric rock, but an angry, injured girl named Yvaine (Claire Danes) – who has no desire to be dragged across the world and presented to anyone’s girlfriend. But Tristan is not the only one seeking the star. A dying king’s (Peter O’Toole) four sons – not to mention the ghosts of their three dead brothers – all need the star as they vie for the throne. Three evil witches, led by the murderous Lamia (Michelle Pfeiffer) seek the star’s heart to make them young again.
Tristan and Yvaine are forced to flee together, encountering the captain of a flying pirate ship (Robert De Niro) and a shady trader named Ferdy the Fence (Ricky Gervais) along the way. As they travel Tristan discovers the meaning of true love, but does not realise he’s leading Yvaine into even more danger…

Richard and Susan are a couple from San Diego, California who are vacationing in Morocco while their two children are at home with their Mexican housekeeper, Amelia. A rifle finds its way into the hands of a local herdsman’s young sons, who recklessly take a shot at a tour bus and hit Susan in the shoulder, causing her severe injury. The distraught Richard calls home to tell Amelia of the situation, who shortly departs for Mexico to attend her son’s wedding, with Richard and Susan’s children in tow. Disaster thus multiplies, with the situation in Morocco ascribed to terrorists in the media, while Amelia meets with trouble at the Mexican border when she attempts to return to San Diego with Richard and Susan’s children. Meanwhile, in Tokyo, a widower tied to the rifle in question, a complex shift of ownership to which the audience is privy, attempts to deal with the memories of his recently deceased wife and his strained relationship with his deaf teenage daughter.

When Mr. Dashwood dies, he must leave the bulk of his estate to the son by his first marriage, which leaves his second wife and three daughters (Elinor, Marianne, and Margaret) in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of both practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars, his family disapproves and separates them. And though Mrs. Jennings tries to match the worthy (and rich) Colonel Brandon to her, Marianne finds the dashing and fiery Willoughby more to her taste. Both relationships are sorely tried. But this is a romance, and through the hardships and heartbreak, true love and a happy ending will find their way for both the sister who is all sense and the one who is all sensibility.

Robbie Hart is singing the hits of the 1980s at weddings and other celebrations. He also can keep the party going in good spirit, he knows what to say and when to say it. Julia is a waitress at the events where Robbie performs. When both of them find someone to marry and prepare for their weddings, it becomes clear that they’ve chosen wrong partners.

In the not-so-far future the polar ice caps have melted and the resulting raise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching to the point of creating realistic robots (called mechas) to serve him. One of the mecha-producing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his “mother”, Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. A futuristic adaptation of the tale of Pinocchio, with David being the “fake” boy who desperately wants to become “real”.

Malcom Crowe is a child psychologist who receives an award on the same night that he is visited by a very unhappy ex-patient. After this encounter, Crowe takes on the task of curing a young boy with the same ills as the ex-patient. This boy “sees dead people”. Crowe spends a lot of time with the boy (Cole) much to the dismay of his wife. Cole’s mom is at her wit’s end with what to do about her son’s increasing problems. Crowe is the boy’s only hope.