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GULLIVER and TATE - nickname ‘Treacle’ - are two ordinary 18 year-olds serving in the British Army in Iraq. Their platoon is struggling to maintain the uneasy peace of 2003. When their popular company captain, GODBER, is killed on patrol by a roadside bomb, morale in the platoon hits rock bottom. Acting on orders they round up several suspects from house-to-house searches. That night feelings at the camp are running high and as the chain of command is weakened and events spiral out of control. The lads end their tour of duty and return to England full of stories but also shaken by their experiences. Iraq comes back to haunt them when Gulliver’s jilted girlfriend, Shelley, decides to get her own back on him by giving photos of the events in Iraq to the British police. The story hits the press, and Gulliver and Treacle, now the most reviled men in Britain, face court martial. The army claims the two are ‘rotten apples’ acting alone. Guilt-ridden and abandoned, the pressure is too much for a traumatized Treacle. Gulliver, however, is determined to remain loyal to ‘his army’. Only when he is truly alone does he have to decide if he must keep his secrets or explosively have his day in court, and tell the truth about the events of that fateful night.

Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah’s traveling to the same resort as her ex … and she’s bringing along her new boyfriend.

A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes stumble across the house and in the ensuing panic, both parents are killed. A female ape takes the tiny boy as a replacement for her own dead infant, and raises him as her son. Twenty years later, Captaine Phillippe D’Arnot discovers the man who thinks he is an ape. Evidence in the tree house leads him to believe that he is the direct descendant of the Earl of Greystoke, and thus takes it upon himself to return the man to civilization.

Karen Davis is a woman residing in Japan with her boyfriend, who is studying there. Temporarily assigned to be caretaker for a woman with severe sleeping disorder, Karen goes to the patient’s house. What she finds is something she would never expect. The house is plagued by the presence of murderous ghosts, the result of a curse. The curse is born from someone dying in a powerful rage. Now, Karen finds herself being tormented by that curse, as it eventually starts claiming it’s victims.

The mysterious and charismatic Russian-born Nikolai Luzhin is a driver for one of London’s most notorious organized crime families of Eastern European origin. The family itself is part of the Vory V Zakone criminal brotherhood. Headed by Semyon, whose courtly charm as the welcoming proprietor of the plush Trans-Siberian restaurant impeccably masks a cold and brutal core, the family’s fortunes are tested by Semyon’s volatile son and enforcer, Kirill, who is more tightly bound to Nikolai than to his own father. But Nikolai’s carefully maintained existence is jarred once he crosses paths at Christmastime with Anna Khitrova, a midwife at a North London hospital. Anna is deeply affected by the desperate situation of a young teenager who dies while giving birth to a baby. Anna resolves to try to trace the baby’s lineage and relatives. The girl’s personal diary also survives her; it is written in Russian, and Anna seeks answers in it. Anna’s mother Helen does not discourage her, but Anna’s irascible Russian-born uncle Stepan urges caution. He is right to do so; by delving into the diary, Anna has accidentally unleashed the full fury of the Vory. With Semyon and Kirill closing ranks and Anna pressing her inquiries, Nikolai unexpectedly finds his loyalties divided. The family tightens its grip on him; who can, or should, he trust? Several lives - including his own - hang in the balance as a harrowing chain of murder, deceit, and retribution reverberates through the darkest corners of both the family and London itself.

A Ronald Reagan-obsessed serial killer targets a bunch of hippies who are heading to a weekend-long concert.

One week before her sex-change operation, Bree receives a call from a 17-year-old identifying himself as her son from a college liaison. Bree’s psychiatrist won’t approve the surgery until Bree deals with this relationship, so Bree flies to New York City, bails the youth out of juvenile detention, and offers him a ride back to Los Angeles without disclosing that she is his father. Both her plans and his go awry, and as secrets will out, what might become a friendship (or more) founders. The lad’s step-father, a sex-change support group, a peyote eater, a Navajo wrangler, and Bree’s family all play their parts in this exploration of family, gender, and expectations.

The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband’s restaurant. Food, colour coding, sex, murder, torture and cannibalism are the exotic fare in this beautifully filmed but brutally uncompromising modern fable which has been interpreted as an allegory for Thatcherism.

Convinced that art school will put him on the path to fame, Jerome (Minghella) must come to terms with his anemic talent, as he watches the girl of his dreams fall in love with another student. Then, strangely, he’s arrested as a suspected murderer — only to discover that crime might actually pay.

Confetti - a mockumentary which follows three couples, competing for the title of Most Original Wedding of the Year: The Musical Wedding, The Tennis Wedding and the Naturist Wedding. Starring Martin Freeman, Jessica Stevenson, Olivia Coleman, Steven Mangan, Robert Webb, Mark Heap, Felicity Montagu and Jimmy Carr as Antoni. A hilarious output of British Comedy.