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Catwoman is the story of shy, sensitive artist Patience Philips (Halle Berry), a woman who can’t seem to stop apologizing for her own existence. She works as a graphic designer for Hedare Beauty, a mammoth cosmetics company on the verge of releasing a revolutionary anti-aging product. When Patience inadvertently happens upon a dark secret her employer is hiding, she finds herself in the middle of a corporate conspiracy. What happens next changes Patience forever. In a mystical twist of fate, she is transformed into a woman with the strength, speed, agility and ultra-keen senses of a cat. With her newfound prowess and feline intuition, Patience becomes Catwoman, a sleek and stealthy creature balancing on the thin line between good and bad. Like any wildcat, she’s dangerous, elusive and untamed. Her adventures are complicated by a burgeoning relationship with Tom Lone (Benjamin Bratt), a cop who has fallen for Patience but cannot shake his fascination with the mysterious Catwoman, who appears to be responsible for a string of crime sprees plaguing the city.

Following the gruesome murder of a young woman in her neighborhood, a self-determined woman living in New York City—as if to test the limits of her own safety—propels herself into an impossibly risky sexual liaison. Soon she grows increasingly wary about the motives of every man with whom she has contact—and about her own.

Everyone deserves a chance to follow their dreams, but some people only get one shot. Tyler Gage is a rebel from the wrong side of Baltimore¹s tracks ­ and the only thing that stands between him and an unfulfilled life are his dreams of one day making it out of there. Nora is a privileged ballet dancer attending Baltimore¹s ultra-elite Maryland School of the Arts — and the only thing standing in the way of her obviously brilliant future is finding a great dance partner for her senior showcase. When trouble with the law lands Tyler with a community service gig at Maryland School of the Arts, he arrives as an angry outsider, until his skills as a gifted street dancer draw Nora¹s attention. Now, as sparks fly between them, both on and off stage, Tyler realizes he has just one performance to prove that he can step up to a life far larger than he ever imagined.

Cocky space ace Tuck Pendelton volunteers to be minaturized and injected into a lab rabbit. Some techno-terrorists foul up these plans and Tuck is mistakenly injected into hypochondriac Jack Putter instead. Now the terrorists are after Jack with all-American hero Tuck shrunk inside him. Their only hope is Tuck’s journalist girl- friend Lydia, but Jack has developed a crush on her.

Car theft in Long Beach went down 47% when Randall “Memphis” Raines walked away from the life. He gets dragged back into it by assuming the job his brother Kip screwed up for stolen-car broker Raymond Calitri: steal 50 exotic cars and have them on a container ship by 8 AM Friday morning, and he got this news on a Monday. With Calitri threatening to kill him and Kip, and the police GRAB unit breathing down his neck, Memphis reassembles his old crew and attempts to pull off the logistically impossible.

Peter Parker (Tobey McGuire) can’t seem to catch any kind of break. Being Spiderman has brought him nothing but problems as far as his personal life is concerned. Not only that, Mary Jane Watson (Kirsten Dunst) is engaged to astronaut John Jameson, and Peter may lose her forever. Things are so bad for him that he is pushed past his breaking point, so he decides that he doesn’t want to be Spiderman anymore, until a freak accident transforms Dr. Otto Octavius into Dr. Octopus, a super-villian with four metal tentacles coming out of him. Peter realizes that only Spiderman can stop him, but of course, problems arise. Mary Jane gets caught in the middle, and Harry Osborn, who still blames Spiderman for the death of his father, Norman Osborn, also the Green Goblin, wants him dead. Spiderman will have to push himself past his limits if he’s going to survive.

Victor (Leguizamo), is trying to escape his life as a drug dealer in the South Bronx. Enter Jack (Sarsgaard), a Wall Street investment banker with a business proposal that has Victor’s name (and money) written all over it.

A weather man is reluctantly sent to cover a story about a weather forecasting “rat” (as he calls it). This is his fourth year on the story, and he makes no effort to hide his frustration. On awaking the ‘following’ day he discovers that it’s Groundhog Day again, and again, and again. First he uses this to his advantage, then comes the realisation that he is doomed to spend the rest of eternity in the same place, seeing the same people do the same thing EVERY day.

Special agent Frank Castle had it all: A loving family, a great life, and an adventurous job. But when his life is taken away from him by a ruthless criminal and his associates, Frank has become reborn. Now serving as judge, jury, and executioner, he’s a new kind of vigilante out to wage a one man war against those who have done him wrong.

To avoid spoiling the movie this plot summary is very brief. It starts when three people living together in a four bedroom flat are looking for a house mate. The interviews they conduct are very unorthodox and very funny. Eventually the three agree on one prospective tenant. He moves in, locks his door, and is not seen again. After a couple of days the three become curious and break in to his room. What follows is an amazing piece of cinema and to say more would ruin it.