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After a businessman disappears the FBI draw a blank except for some unpleasant letters he wrote to a call-girl. His small-town friend John Klute travels to the big city to seek her out. At first their relationship is wary, and she sees him as just another guy to manipulate. But someone may already be stalking her, and as Klute’s activities add to the danger a bond of sorts starts to grow.

At the New York City High School for the Performing Arts, students get specialized training that often leads to success as actors, singers, etc. This movie follows four students from the time when they audition to get into the school, through graduation. They are the brazen Coco Hernandez, shy Doris Finsecker, sensitive gay Montgomery MacNeil, and brash, abrasive Raul Garcia.

In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ship to hide from a drunken, belligerent lead actor who has sworn to kill them for belittling his talents. Of course, the lead actor end up on the ship as well. Also, a madman (Tony Shalhoub) plots the destruction of the ship and Steve Buscemi is a depressed, suicidal lounge singer named Happy Frank.

Fame hungry Roxie Hart dreams of a life on the Vaudville stage, and spends her nights jazzing it up in the bright lights of Chicago, continually hoping that she’ll find her lucky break, and be shot into 1920’s stardom, so able to flee her boring husband Amos. In awe of seductive club singer Velma Kelly (who is subsequantly arrested for the murder of her husband and sister - after discovering their affair), Roxie meets Fred Cassely a man who convinces her he can ‘make her showbiz career take off’. However after Roxie has undergone the ‘casting couch’ treatment, and Fred has had his wicked way with her, he reveals that he has no more connections in showbusiness than she does. This is the final straw for Roxie, and her constant anger at rejection explodes. She shoots Fred Cassely and kills him. Upon discovering her infidelity, Roxie’s husband Amos refuses to take the blame for the murder and Roxie is sent to jail, pending hanging. In jail she finally meets tabloid darling Velma Kelly, currently receiving huge media attention for the double murder she committed earlier in the tale. Sharing the clink with Velma, are a collection of other sly females, all awaiting trial for the murders of their own partners. Velma is aloof to Roxie, however the prison Warden Mrs Morton offers Roxie the opportunity of representation by slick Chicago lawyer Billy Flynn. Billy is more a showbiz P. R agent than a legal lawyer and minipulates the tabloids into thinking Roxie is no more than an innocent ‘good time girl’ who took the wrong path, than a scheming murderess. The tabloids go crazy for the new girl on the cell block, and Roxie finally becomes a star. However due to Roxie’s new found fame, Velma is forgotten about. She is forced to approach Roxie with an offer of a part in her Vaudville act (filling the gap left by her murdered sister), but Roxie turns down her offer flat, thinking she needs no support in topping the bill. However, just as Velma’s star fell, so does Roxie’s, when Go-to-hell Kitty arrives at the jail on a multiple murder charge, the press forget Roxie and now she and Velma are in the same boat. With one more trick up her sleave Roxie manages to bring the media attention back onto her, and her day in court arrives. Billy is now ready to play the ultimate showman!

Television made him famous, but his biggest hits happened off screen. “Confessions of a Dangerous Mind” is the story of a legendary showman’s double life - television producer by day, CIA assassin by night. At the height of his TV career, Chuck Barris was recruited by the CIA and trained to become a covert operative. Or so Barris said.

Bruce Lee’s shocking death left legions of stunned fans and a legacy of 12 minutes from his unfinished Game Of Death. Undeterred, studio executives launched a search for his replacement chronicled here through the eyes of five aspiring thespians who find out what the real game is.

Al Lewis and Willy Clark were once a popular vaudeville comedy team called Lewis and Clark, also known as The Sunshine Boys. After forty-three years as a team, they parted company over eleven years prior on not too friendly terms as Willy wanted to continue his career whereas Al wanted to retire. They have not spoken since. Willy’s nephew, Ben - a talent agent - has been trying to find acting jobs for his uncle since with little success as Willy’s age and declining ability is showing. But a lucrative opportunity comes up when one of the major networks is producing and airing a special on the history of comedy, and want The Sunshine Boys to appear. Ben has to try and convince the comedy team to reunite for just this one gig. Ben has to try and manage the individual quirks and personalities of each of The Sunshine Boys while putting on a good face to the network that there is harmony within The Sunshine Boys comedy team. Ben also has to manage the lives of two men in the twilight of their lives.

A guy starts a fake casting agency in hopes that he will meet his soul mate.

Clarence Worley, a penniless hipster in Detroit with a love for Elvis meets a mysterious hooker paid to meet him named Alabama on his birthday in a theater at night. Falling in love, he makes it his mission to dispose of her past, namely her violent pimp, Drexl Spivey. Defeating him and unknowingly taking a vast fortune of Cocaine, the two fight to sell the white gold in Los Angeles as Drexl’s associates fight to reclaim it in a bloody romantic thriller full to the brim with style.

Two sisters, plus a dead mother, a remarried father, and a hostile step-mother. The sisters, each in her way, have perfected the art of losing. The elder, Rose, is an attorney, responsible, lonely, with a closet full of shoes. The younger is Maggie, beautiful, selfish, and irresponsible. Her drunken behavior gets her tossed by her step-mother from her dad’s house; worse behavior gets her tossed from Rose’s apartment. Then, while searching in her father’s desk for money to filch, Maggie finds an address; the past and the future open up to her and, with any luck, may open to her sister as well.