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This movie is about Nancy Drew going to Los Angeles California with her father, who was going there on business. While she was there she happened upon a mystery that involved a murdered movie actress, and her daughter. Nancy found out her her daughter was, when nobody even knew that the actress had any kids, and the actress’s daughter inherited all of the actress’s money. At the end of the movie, once they got back home, Ned and Nancy kissed for what I think was their first actual kiss, and right after their quick kiss Nancy’s father told her that she had a call from some people in Germany, who were talking about the Loch Ness Monster.

After the continuous sleep walking episodes of Sharon, the young daughter of Rose Da Silva, the decision is made to take Sharon to the place only mentioned in her restless dreams- Silent Hill. However, the road to Silent Hill is anything but easy to access, and Rose creates a high speed chase between herself and a police officer only to end in a crash for them both. When she wakes up, Sharon has disappeared and Rose is at the entrance to the deserted, dream-like town of Silent Hill. As Rose begins the search for her daughter, she does not realize the terror and mystery surrounding her. Rose is led on a blind search for her beloved daughter, finding herself getting more and more entwined into disturbing past of Silent Hill.

Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland’s thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his American Splendor a truthful, unsentimental record of his working-class life, a warts-and-all self portrait. First published in 1976, the comic earns Harvey cult fame throughout the 1980s and eventually leads him to the sardonic Joyce Barber, a partner in a Delaware comic book store who end ups being Harvey’s true soul mate as they experience the bizarre byproducts of Harvey’s cult celebrity stature.