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While pursuing a suspect one night, Chicago Police officer Sharon Pogue (Jennifer Lopez) nearly becomes the victim of a fatal ambush until a mysterious stranger, Catch (Jim Caviezel) intervenes, disarms the assassin and saves Sharon’s life. Is it a stroke of luck? A twist of fate? Or just a concerned citizen who happened to pass by at the right time and wasn’t afraid to get involved? Maybe, But Sharon and Catch have met once before. As the two fall in love, they discover the truth about each other and are forced to deal with the secrets from their past.

Each spring in the little port town of Beaufort, North Carolina, Landon Carter remembers his senior year at Beaufort High and Jamie Sullivan, the girl who changed his life. Serious and conservative, Jamie was as far from cool as she could possibly be, and didn’t care. Landon hung with the in-crowd an aimless, moody, reckless guy who breezed through school on looks and bravado and had no plans, no future and no faith in himself. When a prank goes terribly wrong landing a kid in the hospital, Landon is assigned to tutor a young student on the weekends and participate in the Drama Club’s spring play. Clearly in over his head with both assignments, Landon is forced to ask Jamie for help. Soon, against his own expectations and the scorn of his friends, Landon finds himself falling in love with this outwardly plain girl who possesses a passion for life he never imagined possible.

A powerful virus escapes from a British research facility. Transmitted in a drop of blood and devastating within seconds, the virus locks those infected into a permanent state of murderous rage. Within 28 days the country is overwhelmed and a handful of survivors begin their attempts to salvage a future, little realising that the deadly virus is not the only thing that threatens them.

Since a road accident left him with serious facial and bodily scarring, a former ‘TV scientist’ has become obsessed by the marriage of motor car technology with what he sees as the ‘raw sexuality’ of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes who they contort into the shape of trapped-corpses. Ultimately, the scientist craves a suicidal union of blood, semen and engine coolant, a union with which he becomes dangerously obsessed.