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After moving in together in an impossibly beautiful New York apartment, Carrie Bradshaw and Mr. Big make a rather arbitrary decision to get married. The wedding itself proves to be anything but a hasty affair—the guest list quickly blooms from 75 to 200 guests, and Carrie’s simple, label-less wedding gown gives way to an enormous creation that makes her look like a gigantic cream puff. An upcoming photo spread in Vogue puts the event—which will take place at the New York Public Library—squarely in the public eye. Meanwhile, Carrie’s girlfriends—Samantha, the sexpot; Charlotte, the sweet naïf; and Miranda, the rigid perfectionist—could not be happier. At least, they couldn’t be happier for Carrie. Charlotte still has the unrealized hope of getting pregnant. Samantha is finding a loving, committed relationship more grueling than she could have imagined. Miranda unwittingly lets her own unhappiness—created when Steve admits to cheating on her just once—spoil Carrie’s. After a heated encounter with Steve, she happens to spot Mr. Big and tells him he’s crazy to get married. She’s really only thinking of her own marriage. But her angry remark gets Mr. Big to thinking.

Yuppie Daniel Miller is killed in a car accident and goes to Judgment City, a waiting room for the afterlife. During the day, he must prove in a courtroom-style process that he successfully overcame his fears (a hard task, given the pitiful life we are shown); at night, he falls in love with Julia, the only other young person in town. Nights are a time of hedonistic pleasure, since you can (for instance) eat all you want without getting fat.

The preschool teacher Sarah (Diane Lane) divorced from her beloved husband eight moths ago, but she is still very vulnerable and alone. Her family presses her to find a new Mr. Right, and her sister Carol (Elizabeth Perkins) puts her profile on the site PerfectMatch.com. She has blind dates with odd guys, but she particularly likes Jake (John Cusack), who divorced three months ago and still misses his former wife. Jake likes her too, but Sarah has one night stand with Bob (Dermot Mulroney), the father of one of her students, and Jake gives-up on her. Later Sarah finds that Jake is her perfect match.

Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a few days. As the film progresses, the police get closer to him, and the crimes escalate.

Her goldfish dead, her lover exposed as a rat, Shawn Holloway leaves her bank post and goes to the roof intent on suicide. Before she can leap, she’s taken hostage by Charlie Anders, a fleeing bank robber. He and his partners have stolen a million in cash and plan to escape to Venezuela. Shawn agrees to cooperate if Charlie promises to kill her once he’s in the clear. Parts of the plan go awry, so Charlie has time to try to pierce her bleak manner and self pity, and she has time for reflection. As night falls, their interlude ends: they’re each alone, Charlie facing prison as the police close in, and Shawn staring down at a river from atop a high bridge.

Based on the classic novel by Jules Verne, Around the World in 80 Days (2003) stars Jackie Chan as Passepartout. As an adventurer, Passepartout ends up accompanying time-obsessed English gentleman, Phileas Fogg (played by Steve Coogan) on a daring mission to journey around the world. Fogg has wagered with members of his London club that he can traverse the world in 80 days. Along the way, they encounter many interesting 19th Century figures and have many exciting and suspenseful situations in their voyage around the world.

A sweet Midwestern guy (Bradford) with his life planned out for himself is wooed, groomed, and ultimately dumped by a complicated, elusive gal (Cuthbert).

After an explosion on a ferry kills over 500 people including a large group of party-going sailors, an ATF agent investigates the crime. AN FBI agent also joins the investigation. Impressed with the ATF agent’s skills, the FBI agent invites him to join a new team that has a new program that uses satellite technology to look backwards in time for 4-1/2 days to try to capture the terrorist. Meanwhile a young woman who was burned washes up on shore. Meant to look like part of of the explosion, the body arrives at its location too soon, which leads the agents to believe her death is related to the explosion. As they use the new technology to study the woman, the ATF agent determines that this is not satellite imagery but somehow is using a time warp. From this point in the film, the movie moves from a crime film to a sci-fi time paradox film. Nonetheless, the action is non-stop and always captivating. The end of the film may be confusing to some people, but it is all laid out if one cares to look carefully. Contains some extreme violence that some may find disturbing, particularly during the explosion when many people are shown jumping off the boat in flames.

An accountant is introduced to a mysterious sex club known as The List by his lawyer friend. But in this new world, he soon becomes the prime suspect in a woman’s disappearance and a multi-million dollar heist.

A troubled loner, Bob Maconel, imagines blowing up the tower in Los Angeles where he works. He takes a revolver to his office intent on killing colleagues, and then himself. At home, he holds conversations with his fish, who encourage him to do it. His supervisor picks on him. As he’s screwing his courage to the sticking place, he drops a bullet; while on the floor looking for it, another colleague does exactly what Bob has been planning. Bob emerges a hero and the one colleague he likes, a woman with a bright smile, is severely wounded. Can Bob help her through despair and find himself and joy in life? Or, as everyone says, is this impossible for a man like him?