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Seth Brundle, a brilliant but eccentric scientist attempts to woo investigative journalist Veronica Quaife by offering her a scoop on his latest research in the field of matter transportation, which against all the expectations of the scientific establishment have proved successful. Up to a point. Brundle thinks he has ironed out the last problem when he successfully transports a living creature, but when he attempts to teleport himself a fly enters one of the transmission booths, and Brundle finds he is a changed man. This Science-Gone-Mad film is the source of the quotable quote “Be afraid. Be very afraid.”

John Vandermark (Cumming) has taken in a struggling writer, Sebastian St. Germain (Boreanaz) who overstays his welcome. When John discovers that Sebastian has simply been using him, he turns the tables on his young tenant in an effort to make him work off his rent debt. When Sebastian dies accidentally in the process, John tries to make it up to him by helping him get his book published posthumously. When the book is published, John can’t help but take credit for the work of genius… and Sebastian comes back to haunt him.

Donna Trenton is a frustrated suburban housewife whose life is a turmoil after her husband learns about her having an affair. Brett Camber is a young boy whose only companion is a Saint-Bernard named “Cujo”, who in turn is bitten by a rabid bat. Whilst Vic, Donna’s husband is away on business, and thinking over his marital troubles, Donna and her 5-year-old son Tad take her Pinto to Brett Cambers’ dad’s car shop… the car fails, and “Cujo” is very, very sick…

A giant alligator runs riot in a small town with a lake connected to a sewer/drainage system. Typical plot; nobody believes the sightings until lots of people have been killed.

Ramon the alligator is flushed down the toilet as a baby and grows into a gargantuan monster by eating the corpses of laboratory animals who have undergone dubious hormone experiments, thus providing all the ecological and social subtext that one could possibly wish for, even if one doesn’t normally go for films about giant alligators eating people left, right, and center—which is the inevitable and tragic result of Ramon’s decision that the outside world looks rather more interesting than the sewers….

It’s been nearly ten years since Freddy Krueger (Englund) terrorised people in the dreams, and the towns folk want to keep him erased from their memory. Freddy still has one more plan on getting back to Elm Street. He resurrects Jason Vorhees (Kirzinger) and sends him off to kill. The more bodies which fall to the ground, the stronger in which Freddy becomes. This is until, Freddy realises that Jason isn’t going to step aside easily, and must be taken down himself.

Detective Hoffman and Agent Strahm clash as they each investigate the apparent continuation of the Jigsaw murders.

This gore-laden horror film imagines a terrifying future in which overpopulation and war have left the world a crozzled hull, beset by ragtag bands of human wreckage struggling for survival. If that weren’t bleak enough, there’s a cannibalistic twist to this dystopian scenario—zombies. THE VANGUARD follows a solitary man, pursued by both the living and the dead, as he fights to stay alive.

Maximillian is the only survivor from a race of vampires on a Caribbean Island, and as a vampire, he must find a mate to keep the line from ending. He knows that a child had been born to a woman who had a vampire father, and he searches for her in Brooklyn. Rita’s mother, who has died in an asylum, was that woman and Rita has nightmares that she does not understand. Not knowing that she is part vampire, Max woos her and attempts to bring her to her blood sucking destiny. Even though Rita has strange dreams and actions, Justice, her partner, has feelings for her and does not want her involved with this stranger Max. But it is Rita who must decide her destiny.

A modern supernatural horror film that explores the dark side of the human psyche, and the terror in facing up to one’s darkest fears. Set in London, England, the film begins with a group of theological students who decide to test their faith by proving the existence of Hell. Following their ritualistic summoning of a demon, the students are all found dead, apparently by suicide. Ten years on, a group of five final-year students are evicted from their student digs and break into the now abandoned Catholic halls of residence for the weekend, only to discover that they’re not alone.