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In Paris, a young employee in the office of the US Ambassador hooks up with an American spy looking to stop a terrorist attack in the city.

A young Arab man is sent to a French prison where he becomes a mafia kingpin.

Sherry, the girlfriend of the former “Don Juan,” successful older businessman Don Johnston, ends their relationship. At around the same time, he receives an anonymous pink letter revealing to him that he has a nineteen-year-old son, but he has no clue as to who the mother might be. Don’s friend and neighbor ,Winston, an aspiring “Sherlock Holmes,” compiles a list of Don’s former girlfriends and presses a plan for a cross-country trip to meet each of them and subsequently learn the identity of the son. A reluctant and emotionless Don, armed with flowers, first visits the widow, Laura, preceded by her teenage daughter, Lolita, who affronts him by appearing naked in an asexual context in a show of emancipation at his expense. Laura herself, however, is the one person in the film who treats him humanely and as a sexual being. Then he meets the successful real estate agent Dora and her husband Ron and they have an uncomfortable dinner together, with Don as a third wheel. He next takes flowers to the office old flame Dr. Carmen, now a writer on the psychology of pets and a communicator with animals, (based on her ‘relationship’ with a deceased canine.) Her much younger secretary gives Don a markedly icy reception supposedly because of his unannounced arrival. He unapologetically imposes on Carmen’s schedule, but despite his best efforts he can not penetrate her armor. And the secretary, as an afterthought, returns the flowers. Lastly, he plies his charms with Penny, yet another example of resentment, living in the woods with a pair of younger motorcycle toughs, one of whom, on the pretense of gentlemanly concern about what he makes out to be insensitivity towards Penny, cold-cocks Don Johnston. Johnston wakes up in his car with the flowers broken. A little desperate now, he makes the brief acquaintanceship of a young, kind-hearted lady florist, Sun Green, who begins to show some inclination towards tenderness, although she finds his name, Don Johnston, impossibly quaint. Back on the street, unshaven and looking increasingly like a bum, Johnston has a brief encounter with a young male hitchhiker for whom he buys a sandwich, but then makes an awkward comment how the hiker, who has been brought up in a Fatherless setting, must think Don is his Father! This goes over about as poorly as every other attempt at expression by Johnston throughout the film. It now becomes clear that while Don’s perception of everyone from his past as blatantly neurotic is pretty accurate, Don Johnston himself, with the romantic supports of his youth withdrawn and standing lost perilously in traffic, is also himself a pretty spurious and expendable character in the eyes of the world, or at least for the moment his odyssey has brought him to that pass. Don ultimately returns home without solving the mystery but realizing that his past is lost irretrievably.

Following the death of his father in Mexico, St?phane Miroux, a shy insecure young man, agrees to come to Paris to draw closer to his widowed mother Christine. He lands a boring job at a calendar-making firm and falls in love with his charming neighbor St?phanie. But conquering her is no bed of roses for the young man and the only solution he finds to put up with the difficulties he is going through is escape into a dream world…

2 Jours - 2 Days follows two days in the relationship of a New York based couple; a French photographer Marion and American interior designer Jack-as they attempt to re-infuse their relationship with romance by taking a vacation in Europe. Their trip to Venice didn’t really work out,—they both came down with gastroenteritis. They have higher hopes for Paris. But the combination of Marion’s overbearing non-English speaking parents’, flirtatious ex-boyfriends’, and Jack’s obsession with photographing every famous Parisian tombstone and conviction that French condoms are too small, only adds fuel to the fire. Will they be able to salvage their relationship? Will they ever have sex again? Or will they merely manage to perfect the art of arguing?

The Vuillard’s shared history of physical and mental illness, estrangement, self harm, and loss doesn’t lead itself to the idea of a cheerful holiday season. But can a Christmastime reunion, a scheme concocted by three of the youngest family members, finally bring peace their clan?

In the periwigged and opulent France of Louis XVI, an unwitting nobleman soon discovers that survival at court demands both a razor wit and an acid tongue.

Eight years after his wife was brutally murdered, Alexandre Beck receives an e-mail with images of a woman who, although older, is obviously his wife. At the time of her murder, Beck was with her but he too was severely beaten and remained unconscious for several days after the incident. He approaches his father-in-law, a former senior police officer now retired, for more details about his wife’s murder but can get little additional information. It soon becomes apparent to him that he is being followed and when he is framed for murdering a friend, he goes on the run now fighting to save his own life.

One night at a bar, an old friend tells director Ari about a recurring nightmare in which he is chased by 26 vicious dogs. Every night, the same number of beasts. The two men conclude that there’s a connection to their Israeli Army mission in the first Lebanon War of the early eighties. Ari is surprised that he can’t remember a thing anymore about that period of his life. Intrigued by this riddle, he decides to meet and interview old friends and comrades around the world. He needs to discover the truth about that time and about himself. As Ari delves deeper and deeper into the mystery, his memory begins to creep up in surreal images.

Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the yet fragile German democracy. The radicalised children of the Nazi generation lead by Andreas Baader, Ulrike Meinhof and Gudrun Ensslin are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi past. Their aim is to create a more human society but by employing inhuman means they not only spread terror and bloodshed, they also lose their own humanity. The man who understands them is also their hunter: the head of the German police force Horst Herold. And while he succeeds in his relentless pursuit of the young terrorists, he knows he’s only dealing with the tip of the iceberg.